It’s been a couple of years since I returned from an amazing experience at Lisa Ravà’s panoramic agriturismo, Il Poderaccio. The beauty of the Sienese countryside was beyond words, a place where I could spend much of my time soaking up the gently rolling hills and neighboring farms. During my stay, Lisa invited me to meet with her early in the morning to feed the horses (all 15 of them). I came, but she did all the work while I chatted and observed.
You will not believe the beauty of this early Tuscan morning…..take a look!
” ‘Andiamo,’ let’s go, the sound comes out at a gallop.” Frances Mayes
Imagine riding horses under cypress shadows that fall in wide bands across a sunlit pathway that meander over the hillsides of Tuscany. Endless blue skies blown clean of clouds frame medieval villages and vineyards. Birdsong and breezes gently caress your senses and nature is suddenly all around you.
Have any of you, like myself, ever dreamed of riding from castle to castle on horseback? Recently, I have fallen in love with a similar idea. Riding from winery to winery on horseback. But the very best is to combine the two of them together and ride to castles and wineries on horseback! And what better place to journey through than Tuscany.
Tuscany is a primeval land full of history, legends, and ancient peoples. Pathways wind through meadows and forests that pilgrims walked many centuries ago. Olive groves, vineyards and cypress trees embellish the landscape in the most striking tones, giving a balance of beauty that soothes and refreshes the soul.
Chianti is a region in Tuscany located between Florence and Siena. Steeped in ancient history, the land has grown wealthy from wine. Today the vineyards produce an excellent quality. This was not always the case. Many of us remember the cheap Chianti encased in a wicker bottom with a candle sticking out of it, displayed in Italian restaurants years ago. However, the wine has changed with time and today has become some of the best in the world. Classico is a term used which means that the wine is grown in the oldest zone of origin. The map below shows the area.
Chianti wine was first mentioned in a document from 1398. The above outlined Chianti area boundaries have been fixed since 1932 and have stayed the same. But not all are Chianti Classico. Divided into 8 sub-zones, each one produces its own Chianti wine. As you ride through the region, you will find many farms and wineries along the road offering wine tasting.
There is no better way to experience the sights, smells, and tastes of Tuscany than on horseback. Enjoy a day under the Tuscan sun and experience the ambience close up and personal. Below I have listed a few recommended riding experiences that offer wonderful horses that anyone can ride. Click on the titles to open the websites. I have provided a brief description after each title.
After riding for two hours through the Chianti hillsides, you will return to the stables and enjoy a robust Tuscan lunch of salamis, cheeses, meats, fresh vegetables and wines from the same vineyards you just rode through.
Beginning with a one hour ride through vineyards, olive groves, and medieval villages to a 17th century Villa’s estate, you will be taken on a guided tour of the ancient cellar. The unique process of making olive oil and wine will be discussed, followed by tasting the olive oil and several wines. A Tuscan lunch, consisting of bruschetta and pasta, or dinner for the pm ride, will be served afterward.
Surrounded by legend. Steeped in mystery. Baffling, bewildering and perplexing. These magnificent bronze horses that pranced high above the arched loggia of St. Marks Basilica in Venice for 500 years have been talked about for centuries, even to this day.
They excite me and fuel my imagination. As I did some research on their beginnings and followed their trail throughout the centuries, I was amazed. It was a trail full of twists and turns that brought them safely ‘home’ to Venice in the end.
Believed to have originally been part of a quadriga, four horses pulling a chariot and driver, their composition is unusual. Made of 98% copper, 1% lead and 1% tin to give a more satisfactory guild, they are the only creations of this mix to survive from antiquity. They were created with long legs and short backs as if to be viewed from below.
Who cast the gilded bronze into these dreamlike mythical horses? Were they loot from Rome, or Greece? Why is their history so vague? So mystifying?
The dawn of their forging has been attributed to classical antiquity, created by the famed Greek sculptor Lysippos in the 4th century BC. Lysippos contrived portraits for Alexander the Great, some of which were equestrian statues.
Curiously, the ears of the four horses of St. Marks and Alexanders horse are almost identical. For this reason, many art historians have drawn conclusions that they were made by the same person. Hmmm….could be.
What is certain about the horses is that they did stand atop the Hippodrome in Constantinople, placed there by emperor Constantine in the mid 320’s, to commemorate the chariot races. And there they stayed for 900 years. But what happened prior to this time?
No one knows for sure. Speculations abound. It is thought that the four “Lysippos” horses were brought to Rome by Nero. Evidently he had it in his mind to use them as decor at his Golden Palace (Domus Aurea).
The Fourth crusade, which became the conquest of Constantinople in the early 13th century, set out to travel by sea. Realizing their need for assistance in getting across the water, they worked out a deal with the Doge of Venice. He was up for it provided they delivered a big chunk of the booty to him as repayment. Prominent in the looted goods from Constantinople were the four horses, which the Doge claimed for himself, along with several other treasures displayed in St. Marks today.
The four horses were not put up on St. Marks Basilica immediately, but stored in the arsenal which left them a constant temptation for metal-hungry cannon makers. A later Doge put them above the loggia of the basilica as a symbol of Venetian power. There they rested for 500 years. Yet there was more to come.
Napoleon looted Venice in 1797, escaping with crates of masterpieces, the famed winged Lion of St. Mark, and the four gilded horses. All were shipped off to Paris, where the horses, along with a chariot, set atop the Arc du Carrousel, the triumphal arch on the Tuileries end of the Champs-Elysees.
In 1815, Vienna sent them back to Venice. Then during world war I, they were moved to Rome for safe keeping. Later during the war (1942), they were removed yet again and hidden in a Benedictine abbey at Praglia, to be returned to St. Marks after the war.
Today, copies of the four horses stand above the central loggia on St. Marks Basilica. The original horses have suffered from pollution and are housed in the museum inside the basilica.
It has been a long and winding road for these remarkable bronze beauties. They prance proudly through time immortal, bearing themselves exquisitely. Their allure and magnificence, adored by the ancient Greeks and Romans, valued enough to be looted and transported from country to country, has brought these mighty beasts worldwide reverence. Who really knows when and how they came into being. They reserve the right to remain mysterious. It is enough that they stay as they are, beautiful and free, ancient yet everlasting.
“Dance above ground, never descending. Grace Incarnate, Passion on Hooves….”